Patna Shuklla's dull drama struggles to leave any impact, sighs Sukanya Verma.
If you're a fan of the Transformer films already, you will be delighted with a hearty dose of nostalgia here but... Mayur Sanap adds a caveat.
The Perfect Couple has suspense, humour, romance and gorgeous visuals.
The cast of Anurag Basu's Metro... In Dino arrived for the screening in Mumbai.
Squid Game 2 is almost a rehash of the earlier season, discovers Deepa Gahlot.
The idea of releasing a new season in two parts is probably what is not working for Part 2 of Emily In Paris 4, observes Divya Nair.
The new season takes the students out of their preoccupation with studies to other problems -- jealousy of another's easy success, a blip in a romance, financial crunch, meltdowns, discovers Deepa Gahlot.
A social media spat erupted on X between TheLiverDoc and Zoho Corporation's Chief Scientist, Sridhar Vembu, after the later endorsed a claim linking childhood vaccinations to autism.
Do Patti gives in to its basest impulses, but collapses like a house of cards when it aims to be clever, notes Sukanya Verma.
Sukanya Verma recommends watching CTRL on a computer for an eerie, immersive, real-time experience.
Stand-up comedian Kapil Sharma is back with his show and while the set is bigger and the look is grander, the gags are still the same, feels Namrata Thakker.
What makes Pushpa 2 float is Allu Arjun's magnetic performance. The actor really goes an extra mile to deliver the wildfire he promised, observes Mayur Sanap.
Its callous perspective and comical treatment of a sensitive matter makes a complete hash of things, asserts Sukanya Verma.
If you thought you had seen the high points in the trailer, the entire film is simply fire, applauds Joginder Tuteja.
Deadpool & Wolverine is an example of confident film-making and unbridled enthusiasm to show what the Deadpool franchise means for its fans, observes Mayur Sanap.
This romantic thriller is so predictable! discovers Namrata Thakker.
'I have been in love with a career on the big screen, validated by box office numbers.' 'I never expected the love back to be instantaneous.'
How can a film that has a character declare that secularism is an illness be taken seriously, asks Deepa Gahlot.
Gladiator 2 delivers an epic experience that may not replace the original in viewers' hearts but certainly earns its place beside it, notes Sonil Dedhia.
Since Kakuda is made for OTT, the film might find its audience of horror fans but it is not particularly scary, and not the least bit funny, observes Deepa Gahlot.
If not for Tamannaah, it would have been an ordeal to sit through this uninspired horror fable, notes Arjun Menon.
There are elements that make this show entertaining, and if you haven't seen the original show, the concept is wild enough to keep you hooked, notes Mayur Sanap.
'She only chooses roles that push her as an actor, and this was one of them.'
This is the kind of film to watch with friends and maybe a six-pack. It has some risqu bits but nothing so vulgar that the pause button would need to be hit if Mummyji walks into the room, notes Deepa Gahlot.
Watch her in hand-to-hand combat, wielding guns, firing weapons and breaking bones like a beast in some of the sleekly done one-take sequences. She also owns some emotionally-charged moments within the same dramatic beat, observes Mayur Sanap.
'It's far-fetched to say that human thinking will become subservient.'
Given that Twelve Final Days doesn't really delve into the genesis of Roger Federer, the ups and downs of his career, the assumption is that it is meant for people who are already familiar with his work, observes Deepti Patwardhan.
Such a set of greedy and amoral characters have seldom been assembled in a Web series, observes Deepa Gahlot.
Hemantkumar Shivsharan lists lady cops that have wowed us on OTT shows.
Kareena's sombre performance lingered on long after I had left the theatre, notes Sukanya Verma.
Casting Fahadh Faasil does not help as his chameleon-like acting credentials is wasted in a mundane cop archetype that passes through Bougainvillea with little or no impact on how things eventually play out, observes Arjun Menon.
Vasan Bala's Cinema Marte Dum Tak shines the spotlight on Vinod Talwar, Dilip Gulati, Kishan Shah and J Neelam. All of them are articulate, witty, and expressive -- talking of their passion for films, the rise and fall of their cinema, observes Deepa Gahlot.
Dil Dosti Dilemma is a coming-of-age series without profanity, and that by itself breaks the current mould, observes Deepa Gahlot.
Vikrant Massey is a man of undeniable talent. But he too can't rise above Blackout's derailed script that reduces the likes of Jisshu Sengupta, Chhaya Kadam and Mouni Roy to chumps, observes Sukanya Verma.
Saiyaara, which collected Rs 306 crore, would have made more but was was hit by the Mahavatar Narsimha wave.
Despite director Homi Adajania's ease around quirky ensembles and macabre touches, Murder Mubarak fails to draw the viewer into its shallow world of the vain and wealthy, feels Sukanya Verma.
The film's focus lies in humanising a larger-than-life star and breaking down his celebrity, aimed at a simplistic takedown of the 'superstar' myth, observes Arjun Menon.
'On the run, Srikant must navigate uncharted territories while confronting threats and enemies from both within and beyond the nation's borders.'
Throughout its 155 minutes, every scene is doused in blaring background music and melodrama. Disappointment alone won't do, it must feel like a full blown catastrophe, observes Sukanya Verma.
'Ayan told Karan he blundered leaving Dharma.'
