Aavesham is smooth in its storytelling and leaves a chilling aftertaste, thanks to its one-of-a-kind anti-hero, applauds Arjun Menon.
With his killer smile, the sex symbol image, Robert Redford would go beyond just being an actor, remembers Aseem Chhabra.
'It is so important to have co-stars who don't think about their own performance only while creating something special.'
Baahubali has generated an enterprise of television spin-offs, video games, graphic novels and what not, but a memorable Game Of Thrones it is not, observes Deepa Gahlot.
Nayanthara: Beyond the Fairy Tale ends up being a flashy, aspirational celebrity lifestyle doc that is aimed for an evening of popcorn-fueled fan tribute entertainment, observes Arjun Menon.
Ranbir Kapoor's Animal might have become a huge blockbuster, with people loving and hating it in equal measure, but that wasn't the review you were most keen about. It only makes third place among our Top 10 Most Read Reviews of 2023.
Sunil Grover and a perky Adah Sharma somehow salvage Sunflower 2, observes Deepa Gahlot.
Quite a few films didn't do well, but particularly disappointing were the films that came from the south.
Prabhas may be the face of Kalki 2898 AD's heroics but the real bang for your buck is delivered in Amitabh Bachchan's indefatigable energy providing Kalki's biggest wolf-whistle moments, applauds Sukanya Verma.
Chandu Champion is Kartik Aaryan's most ambitious work so far and the actor's muscular gusto is undeniable. There's visible fire in the man's belly but not enough soul, observes Sukanya Verma.
If this were a French farce, nobody would have batted an eyelid if the father of the groom and mother of the bride fell in love and wanted to marry. But here, some crude comedy is generated with a dash of melodrama, feels Deepa Gahlot.
Even though the story has nothing much to say beyond its central conflict, the film is consistently poignant and, in one scene near the end, it leaves you dewy-eyed, observes Mayur Sanap.
Forget comic chops, you'll not find an ounce of camaraderie between Akshay Kumar and Tiger Shroff as they go about firing ammo and flexing abs at a zombie-like army for nearly three excruciating hours of this noisy drivel, observes Sukanya Verma.
Make time for this one, you will be in for a pleasant surprise like I was, endorses Mayur Sanap.
How long can you look at Ajith sitting with a machine gun on his lap? asks A Ganesh Nadar.
Safed is a lame attempt at social commentary, with terribly dull and thoughtless direction, observes Mayur Sanap.
As an audience, we deserve better! exclaims Mayur Sanap.
Malayalee From India is trapped within its self-serving corniness and refuses to break free in the process, observes Arjun Menon.
Shaitaan's wickedness may be its calling card but relies on age-old formulas to do the trick, observes Sukanya Verma.
Original's goodwill, natural bonhomie amongst the actors and wild card entries, Stree 2's spirited return sure has its high points, notes Sukanya Verma.
Dhanush deserves credit for imagining a visually rich, edgy action thriller which is enhanced by a fascinating background score from A R Rahman, observes Divya Nair.
Bloody Ishq comes off looking even more shoddy and ill-conceived when there is so much superior content to entertain the horror buff, observes Deepa Gahlot.
With Raid 2, where Ajay Devgn reprises his role as an income tax hawk swooping on a defaulter politician, the actor is hoping to make another successful sequel. Here's a look at his series of sequel love.
The Broken News 2 is worth watching because of Jaideep and Shriya's fabulous acting, recommends Namrata Thakker.
There is startling accuracy to Dibakar Banerjee's portrayal, notes Sukanya Verma.
Rohit Shetty gets so busy giving us a social message that he forgets to add a 'tadka' -- also called 'entertainment' -- to Cirkus, sighs Syed Firdaus Ashraf.
Chhota Bheem: The Curse of Damyaan is a fun movie, its adventurous story and lovable characters make it worth watching with family, notes Riddhi Soni.
The simplicity of a spontaneous sisterhood, women getting along with other women, feeling alive in each other's company makes Dhak Dhak a gentle celebration of womanhood, notes Sukanya Verma.
Emily In Paris Season 4 offers more drama, high fashion, scandal and chaos to keep you entertained, observes Divya Nair.
We see Rajini's trademark style in Vettayan, and all we can hear from the audience is 'Thalaiva!', record A Ganesh Nadar.
Angry Young Men gloats in Salim-Javed's well-known attributes yet never gains access into the process or passion behind one of Indian cinema's greatest chemistries at work, observes Sukanya Verma.
Yeh Meri Family 3 is developing into a Wonder Years kind of coming-of-age comedy that Indian viewers can relate to, observes Deepa Gahlot.
It introduces random characters, goes on several wild goose chases and is incapable of holding onto any thread of the plot, sighs Deepa Gahlot.
As much as one would have liked a glimpse into the lady's culinary excellence, Tarla acquires its endearing character in Huma Qureshi and Sharib Hashmi's harmonious display of doting husband and wife, observes Sukanya Verma.
You do get your money's worth simply watching these girls do what they are best at: Entertainment, feels Divya Nair.
The Boy And The Heron offers a thrilling joyride inside Hayo Miyazaki's unquantifiable imagination, applauds Sukanya Verma.
From the swag displayed in the King teaser, there is no dimming of the klieg light of his superstardom... yet, notes Deepa Gahlot.
Ammy and Triptii have the chemistry of a door-to-door salesman and disinterested customer.' On the other hand, she and Vicky burn down the house with their scorching sensuality, observes Sukanya Verma.
Modern Masters aims to showcase Rajamouli's enigmatic career and paints a context of what makes him the singular voice that defined his generation of film-makers, for millions, observes Arjun Menon.
A glimpse of the film, via the trailer, indicates a sincerity of purpose and the shining of a light into those corners of India that remain dark amidst progress and prosperity, notes Deepa Gahlot.
